An action thriller by Jock Miller


Fossil fuel has an ageless affinity with dinosaurs. To create oil, dinosaurs died.


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The perfect energy storm is sweeping over the United States: Japan’s Fukushima nuclear plant meltdown has paralyzed nuclear expansion globally, BP’s Gulf of Mexico oil spill has stalled deep water drilling, Arab oil countries are in turmoil causing doubt about access to future oil, the intensity of hurricanes hitting the Gulf’s oil rigs and refineries has intensified due to global warming, and the nation’s Strategic Oil Supply is riding on empty.

As the energy storm intensifies, the nation’s access to Arab oil, once supplying over sixty percent of our fossil fuel, is being threatened causing people to panic for lack of gas at the pumps, stranding cars across the country and inciting riots.


The U.S. Military is forced to cut back air, land, and sea operations sucking up 58% of every barrel of oil to protect the nation; U.S. commercial airlines are forced to limit flights for lack of jet fuel; and businesses are challenged to power up their factories, and offices as the U.S. Department of Energy desperately tries to provide a balance of electric power from the network of aged power plants and transmission lines that power up the nation.

The United States must find new sources of domestic fossil fuel urgently or face an energy crisis that will plunge the nation into a deep depression worse than 1929.

The energy storm is very real and happening this very moment. But, at the last moment of desperation, the United States discovers the world’s largest fossil fuel deposit found in a remote inaccessible mountain range within Alaska’s Noatak National Preserve surrounding six and a half million acres.

Preventing access to the oil is a colony of living fossil dinosaurs that will protect its territory to the death.

Nobody gets out alive; nobody can identify the predator--until Dr. Kimberly Fulton, Curator of Paleontology at New York’s Museum of Natural History, is flown into the inaccessible area by Scott Chandler, the Marine veteran helicopter pilot who’s the Park’s Manager of Wildlife. All hell breaks loose when Fulton’s teenage son and his girlfriend vanish into the Park.


Will the nation’s military be paralyzed for lack of mobility fuel, and will people across America run out of gas and be stranded, or will the U.S. Military succeed in penetrating this remote mountain range in northwestern Alaska to restore fossil fuel supplies in time to save the nation from the worst energy driven catastrophe in recorded history?

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Charles R Kight was one of the first Dinosaur Artists.

While the name of Charles Knight may be unfamiliar to many today, he is the man responsible for bringing dinosaurs (and a host of other prehistoric creatures) out of the specimen case and into the consciousness of everyday life. Through his many sculptures, book illustrations and museum murals, Knight influenced the way generations of Americans perceived the ancient world.

Charles R. Knight was one of the first American painters to depict dinosaurs, providing imaginative and largely scientifically based renditions of the extinct beasts in real-world settings. His realistic renderings were referred to as restorations. During a time when dinosaurs were capturing the fascination of people across the country, Knight's ground-breaking images combined paleontology and artistry to create some of the most popular museum displays of his day. Though somewhat speculative and not entirely based on solid evidence, Knight's paintings put flesh on creatures no one had ever seen, and he helped shape the image of dinosaurs that lives in public consciousness to this day.

Charles R. Knight working on Stegosaurus in 1899

Born in Brooklyn and educated at the Polytechnic Institute, Knight studied at the Metropolitan Museum of Art and the Art Students League before beginning a life-long career in the service of natural history. His mentor in paleontology was Edward Drinker Cope (1840-1897), Curator of Paleontology at The Academy of Natural Sciences, who helped Knight envision prehistoric creatures as living organisms with many of the same behaviors as their modern counterparts.